From the opening track–Cash’s own “The Man Comes Around,” filled with frightening images of Armageddon–the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction.. American IV: The Man Comes Around is the sixty-seventh and final non-posthumous studio album by Johnny Cash.It was released on November 5, 2002, by American Recordings and Universal Records.It is the fourth in Cash’s “American” series of albums, and the last album released during his lifetime, and is considered some of his finest work towards the end of his life.
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The fourth album in the American Recordings series that comprised Johnny Cash’s comeback was the last released during his lifetime. It’s no coincidence that The Man Comes Around is the most poignantly elegiac of those releases, with the rumble-toned troubadour transforming such unlikely source material as Nine Inch Nails’ “Hurt” from an angst-filled alt-rock stomp into a hushed.. The fourth album in the American Recordings series that comprised Johnny Cash’s comeback was the last released during his lifetime. It’s no coincidence that The Man Comes Around is the most poignantly elegiac of those releases, with the rumble-toned troubadour transforming such unlikely source material as Nine Inch Nails’ “Hurt” from an angst-filled alt-rock stomp into a hushed.